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Yayoi Kusama, Infinity Dots Mirrored Room, 1996

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abc-illustration:

De Rode Draad, screenprint, 2014

abc-illustration:

Carrots, ink & colour pencil, 2014

jubilatio:

sandrarivasart:

(Question from my Ask.fm account)

I’ve been asked a lot about developing styles and improving so I thought I would make an advice comic for you lovelies~ :>

It’s so hard to explain about our development in art styles. We may be influenced by the same things, but how we illustrate, express, and think is completely different. It’s not something you can buy or learn in a class.

Remember that age doesn’t matter and it’s never too late. You can draw whether you’re 30 or 13. You’re still young! And there’s no rush. We learn at our pace and should be proud of ourselves for continuing to draw. Not many people realize that art is a pretty tough field and I know a couple that have given up and chosen other paths.

Improvement will happen if you keep on doing what you love. It will take time but keep practicing and months (or years) from now you’ll be amazed at how much you’ve progressed. Soon your doodles that used to take you 2 hours will take only a minute or less.

But again, you have to just do it. This applies with music, performance, or anything else. Tutorials, books, and advices won’t mean anything unless you actually do it.

Don’t think about what anyone will think, if you’ll be famous or not, or if you’ll develop a “unique” style. Just start drawing. Fanart, figure drawing, animals, anime, just do it!!

You will improve and you will create great things. Just do it!!

I hope this helps!

THIS IS IT! This is it right here!

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neilsanders:

Study stress? Find better ways to deal with Half of Us

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unusualinteriors:

the-mad-curator:

A Parisian apartment left untouched for over 70 years was discovered in the quartier of Pigalle a few summers ago and I’ve been meaning to share the pictures with you. Time to unlock the vault …

The owner of this apartment, Mrs. De Florian left Paris just before the rumblings of World War II broke out in Europe. She closed up her shutters and left for the South of France, never to return to the city again. Seven decades later she passed away at the age of 91. It was only when her heirs enlisted professionals to make an inventory of the Parisian apartment she left behind, that this time capsule was finally unlocked.

The team that had the honor of opening what must have been a very stiff old lock for the first time in 70 years, likened the experience to ‘stumbling into the castle of sleeping beauty’. The smell of dust, the cobwebs, the silence, was overwhelming; a once in a lifetime experience.

There is a further twist to the story. In the apartment a painting of familiar style was discovered of a beautiful woman in pink. One of the inventory team members suspected this might be a very important piece of treasure. Along with the painting, they also found stacks of old love letters tied with colored ribbon.

With some expert historical opinion, the ribbon-bound love letters were quickly recognized as the calling card of none other than Giovanni Boldini, one of Paris’ most important painters of the Belle Époque. The painting was his. The beautiful woman pictured in the painting was Mrs. de Florian’s grand-mother, Marthe de Florian, a beautiful French actress and socialite of the Belle Époque. She was Boldini’s muse. And, despite him being a married man, she was also his lover. The art world went a bit nutty for the whole story and the painting was later sold for $3 million at auction.

Wow. I’m dead. Posts like this are the reason I have this blog.

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calartscharacteranimation:

BFA4 student Ricky Cometa’s lovely film Corridors. Check out more of Ricky’s work on his tumblr and website.

do-it-faggot:

disneymoviefacts:

Cast of the Broadway production of Disney’s The Lion King.

I REMEMBER WATCHING THIS WHEN I WAS LITTLE IT WAS THE GREATEST THING EVER

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gtxtumb:

source

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reverianslip:

My old student portfolio for Visual Development (Character Design) based on “Wicked” - PART 1 -

Because I often receive questions about portfolios, I thought, well, maybe it would be helpful for some to share my own personal experience accompanied by some visuals. Namely, my own portfolio I submitted to transition from the Animation department to the Visual Development department of Disney Feature Animation.

Now one thing that I will mention here as a disclaimer, and something that will probably be reiterated through out this post is that this is only my personal experience, and there is definitely not any sort of “formula” to make a portfolio for the Disney’s Vis dev. Portfolios that look nothing like this, share no common element, is just as likely to get you into the vis dev department. The acceptance is made by a committee of people, and not just one person’s personal taste or criteria.

Way back in the summer of 2007, I was an artistic intern at Disney. (Mainly 2D character animation, but also some story and vis-dev on the side.)

I was having lunch with one of our mentors at that time, Claire Keane, in which she gave us some advice on structuring a visual development portfolio.

One of her suggestions that stuck to me was to take one story, and dedicate the entire portfolio to it, as if you were developing that into a feature film.

This idea sounded good to me, because it made sense. It’s a semi-simulation of the kind of things you would be doing as a professional artist at Disney anyway, (which gives the reviewers a much better, reliable idea of how you would perform as a contributor) but it also gives the spectator a slightly more immersive viewing experience, as they are taken through one continuous story, with characters they understand, rather than having to adjust to brand new content with the turn of each page.

The many times I have reviewed portfolios, I have also found it a slight handicap to have to ask the artist, “Now, what is this thing from?” 4 or 5 times in one portfolio. 

So in 2008, while I was working on Princess and the Frog, (still as a full time student at Calarts), I started on this visual development portfolio. I chose my story to be Wicked, the musical, which I am sure many of you are familiar with.

Now one thing before I elaborate further…

If I thought sharing with you my Frozen artwork was uneasy, showing this portfolio (which is my student portfolio from many years ago)… I honestly cannot shake the embarrassment.

But, as Tarkovsky once said, artists are there to serve.. And for one thing, after years of deciding never to show this portfolio on a public platform, I came to the conclusion of this; that it was always rather difficult talking about the type of portfolio that gets you into the doors of the animation industry, and because portfolios are so visual, visual accompaniment just makes more sense.

And for another, I always liked to see other artist’s various stages of development. Obviously nothing here represents me currently, but more shows where I used to be in the past.

When I look back at this portfolio, obviously I see so many flaws in terms of draftsmanship, design choices, character choices, taste etc, and I want to fix them all. But again, the purpose of this post isn’t to show who I am as an artist right now, but to dig up my past and say “Well this is how it happened for me in the past.”

Here is part 1 of the portfolio. I know for some it may be frustrating to have this divided into 2, but the nature of tumblr posts seem to want things kept short. So I’ll try and post part 2 of the portfolio as soon as possible. I want to say within the next day or two, but there’s just never knowing with when I’ll get another free moment.

I think what is probably most important to show in your portfolio is a strong draftsmanship, a good taste in design choices, and a special intuition for characterization.(I’m speaking for my own criteria when I review portfolios, and I don’t claim to represent anyone else’s.)

As you can see I also tried to pay attention to the presentation of the portfolio, which is why I tried to design the layout of it with the theme of “drawer of a Shiz student”.

I’ll probably try to address some of those things that I mentioned in future posts perhaps.

I hope this old student portfolio of mine gave you a better idea on who to shape your own. One thing I would recommend is to not copy exactly the method I used to form a portfolio, but see it more as a solution that will hopefully help you come up with your own solution on how to structure a portfolio.

Next up is Part 2, with some development designs of Fiyero, the Wizard, the Flying monkeys etc

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Arrietty’s House

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